Now, onto the meat of
the article.
When I first started
writing fanfiction years ago I was something of a lazy author. What child,
teenager, isn't though? I would never make an outline, but I always had a
general idea of what I was writing about at the beginning, the middle, and the
end. Still, is this really laziness or are you just using
a creative process? I know or have heard of a number of authors who
can and do write this way; however, from those authors I've also heard frustrations bemoaned...
"I don't know what to write now..."
"I have writer's block!"
"Bloody hell! It's not working!"
"Can you help me brainstorm? I just don't know where this story is going anymore..."
It's not and
entirely uncommon theme. They're frustrated; who wouldn't be? Sometimes this freeform
way of writing works in the start, or just works for those rare people; although, for
the majority of us--insofar as I've noticed--if doesn't work.
So, what do you do? You're asking yourself, can I still be a freeform kind of writer and be a little more organized?
Let's first look at what
works for others in the extreme case of organizing.
When I first explored
publishing I came across a site about formatting a manuscript
and synopsis; naturally, these were things I was still learning about beyond
my grade school/high school definitions. The woman who wrote the web site (I'd
share it if I still had the link) spoke about her form of organization and how
it was very important to the writing process to establish one. Her method was
very in depth; she had a room just for writing that had: a filing system,
post-it notes and index cards, and a map on the wall of the city her novel (series) encompassed. Now, this was just the tip of the iceberg. She would
use the index cards on a wall with tacks and then run strings wrapped around
them to other index cards; all of the index cards
had information about the book(s); each one connected to a
different idea or how something was connected in the story. This was to help
her keep track of all her ideas and story-lines over the course of
her book series or book.
I found
this fascinating, but couldn't see myself doing it. Still, it was an
awesome idea for the more driven of writers in need of a visual aid. If you're
that type of author it could work very well for you. Or, if
you have a lot of books and series sometimes the notebook stack of information
might need a more stretched out visual form. I can personally see myself
getting to this level in the next few years when I actually have my own writing room/office/studio/study.
Is there an easier way?
There's plenty. For now,
my own methods worked very well for me after reading Fiction: The Art
and Craft and Getting Published by Michael Seidman.
He covers a great number of topics, but outlining was one of the
better sections. He urges there aren't really any rules about it, not in
so many words. At the very least though, you need a rough bulleted list for the
whole book; or numbered. It needs to encompass your beginning, your climax, your
ending, and bits of things you consider important between all these that you want
to have happen no matter what (at least when you begin to come up with your
ideas). He tells the reader the list can change at anytime during the novel
writing, but it's important to have because it helps keep a writer on track.
I wasn't so sure at
first, but the guy has been in the publishing business since before computers
became available to the public; I figured he had a point. I gave it a whirl and
altered his idea to suit my own needs.
When I make an outline I
do it on my computer first. Recently, I'll do it on a reference tab on Scrivenver.
(A great--the best in my opinion--writing program. I'll cover it in another entry.)
It's just for the whole of the book and rough at that. Then, as I start to
write (in that more freeform manner) and find myself hitting blocks, I'll make
outlines in a notebook for each chapter. This keep me from getting in a slump,
gets me away from the computer where the slump may have a hold on me (or
the computer might be giving me distractions: facebook as an
example), and helps me keep continuity. It's also another freeform way of
writing because it helps me brainstorm and run with ideas however I see fit through each
chapter outline.
Now, my outlines are not
perfect. For my novel outlines it's really loose one a bulleted list with
almost no chapter distinction. On my chapter outlines I just write the chapter
name at the top of the page (Chapter 25 as an example: very basic) and then write
a summary of what I want to have happen.
So what should I do...?
Whatever works best. If
the total freeform method is working for you, then keep it up! But, I urge you
to always try new ways to write. Sometimes, you might find your writing grows
and matures to something better. More importantly, you might find a way to do this process and that's better than what you're currently
doing.
Experiment!